Teesta Review: A Journal of Poetry, Volume 1, Number 1. May 2018. ISSN: 2581-7094





Reflections of Illusions, Reshma Ramesh, Writer Workshop Redbird  Book



            Reflections of Illusions stays true to its title. When someone utters  the word illusion, what conjures in my mind are patterns capable of reversible perspective.  And so does Reshma  Ramesh—she  reverses the patterning that  I have of a doctor. The poetess  compiled  152 poetry that she has written when she was a young girl beachcombing the sea shores of Kota in South Canara, India until the year 2009, almost a decade after she graduated from Banglore University in 2000. The poetess-doctor   now   practices her dentistry in Banglore, India, while continuing her journey with verses.  

         As a principle, when I pick a book to buy,  it will never be because of  first impression. I will look at the name of the author or at least the person who wrote the introduction of the book.  However,  totally different with Reflections of Illusions. It's the cover presentation of the book that made me want to own it when I saw it laying beautifully on the lap of a very attractive  lady clad in a striking  brown saree.  Will the content of the book compliment  the gorgeous looking writer? I met Reshma at Pulara Pangkor, one of the Annual International Poetry Meet.  After getting to know each other, as fellow  writers, we exchanged our books. When it was in my hand I read  the introduction, and realised  that the book is special.  Actually it is a  rather expensive book,  being  gold embossed, hand stitched, hand pasted and hand bound with a handloom saree cloth designed in India. The layout and lettering also went through the artistic fingers  of a designer. It is such a feminine-looking  book.

      The outer presentation of the book is so artistic that I am worried if the content will be too feminine—pointless, but a beautiful woman rambling about long lost love, frustration over domestic matters or outpouring rains of emotions. Being a poetess myself, and once dubbed by the Malay Mail as “The Social Critic”, such poetry will turn me off. However, after reading the first poetry “Daddy’s Darling” my heart bled.

                               He  tucked her in bed every night
                               Kissed her forehead as she slept,
                               Lovingly fondled between  her legs.....

       She bleeds inside
       Cannot play on the slide
       Childhood denied, crayons cast aside
      Daddy and demons coincide

For me, when Reshma poetizes   about childrens’  misery she uses   her ‘doctor’ language. I didn’t mean jargons and terminologies  but clear, direct to the point explanation to her patient or in other words facts  to educate.  

                               With machetes in their hands
                               They chop the pods
                               Often when they swing too low
                               They strike their legs
                               often when they swing too high,
                               they strike their hand,
                               hospitals they have none.........

                               the cocoa bean from black,muddy
                               bleeding hands sit on the shelves
                               of the finest stores
                               where soft pink hands pick them up
                               from hand to hand the chocolate travels,
                               sinned on the way
                               bittersweet the chocolate way

              There is no poetic devices or flowery words to make us realise what an expensive chocolate is made of –she uses concise and accurate language but able to encapsulate ideas in the minimum of words. How does that happen? It happens when you write with your heart as if the emotions—the sadness, anger, fear  run through your blood to move your fingers and pen down your emotion. What does it show? It shows that Reshma is a very sensitive person. Normally, people associate a poet with an introvert, people who keep to themselves. But in reality, a poet is an extrovert, a person who shares and cares, but they are using words in creative meaning ways to express their feelings.  

           Actually, when her theme evolves around woman she reminds me of one of my favourite poetess—Maya   Angelou.   “Still I Rise” and “Phenomenal Woman” are the two poetry that    makes me feel proud to be a woman.  I am impressed that in all the 4 parts of “As Beautiful as Me”  Reshma poetize on the same context used by Maya Angelou but of course using different approaches. All the four parts of the poetry mainly express the capability that a woman has because of the beauty bestowed on  her and through her imagery she implicitly shows the weakness of a man, that is woman. Her feminist stand shines when she clearly mocks  the male species and their weaknesses over beauty but at the same time putting a guard against them. However, stanzas in As Beautiful as Me (Part 3)  breathes matuarity in thoughts and attitude.

                               ......age is not my foe but he is my confederate
                               because with age I spice up like pickle
                               I make no pretense whatsoever
                               for I wear no veil, I am as open as the sky....
                                
                What interests me the  most about Reshma’s poetry is the similarity between her worldview  and mine. Yes, the main differences are clear. I am a Muslim, she is a Hindu. I am in Malaysia and she is in India.  However there are two main points that make the way we think and the way we write coincide, moreover we are both Asians.  Firstly even how modern and how educated we are, we still live in a partriarchal society. We are still oppressed in one way or another by our male counterparts and as poetess we express our dissatisfactions but at the same time we allowed ourself to be trapped in the world full of male chauvinist. Most of us  Asian women are rather submissive to our society patterning, dont we?

           Secondly, we are mothers, daughters and sisters. We celebrate memories, good times, sisterhood, family and most of all our own emotions. This book has an array of poetry that shows a woman in all her facades. At one time I read the memory of a little girl in the embrace of a loving mother, for example, in “Why I should not cry” followed by “When I was little”, “What is perfect” and “Your Little Things”. The contents of the poetry link to me in many ways, especially through the culture that were portrayed.  At times, Reshma tickles me because she is able to expose  me as a woman in love through the romantic nuances and clines. Age does matter but being in love is always beautiful for example in the poetry “I think I am in love with you”. However I guess, as a  woman tied by culture Reshma is also quite open with her feelings about issues involving intimate relationship with her man. In beautiful, seductive ways she poetizes  about her feelings and emotions with the man she loves.

              When I personally complimented her on the vast themes of  her book  she claimed that many of the emotional poetry were written when she was young and naive about handling her feeling. Sometimes she tried to step out of her skin and handle the situations she faced.Her old poems were more about how she felt but as she grows older she has learnt that every emotion need not to be penned down thus, she is more selective to the topic and content of her poetry. I agree with that because being a poetess is like going through a journey that will never end and we learn along the way to be better and smarter.

         Personally, for me Reshma Ramesh is a woman in every way. Thanks to Reflections of Illusions.