Teesta Review: A Journal of Poetry, Volume 2, Number 2. November 2019. ISSN: 2581-7094




Editorial
“Destiny” by John William Waterhouse, 1900.

The word “destiny” engages the focal point of action regarding human endeavor, and comes from the Latin word destinare, which means “making firm, or determining”. Like the word destination, it includes both a direction and a plan. The general interpretation of this word has to do with naming the end toward which we move, toward which we aspire, and toward which we enlist our physical, mental, spiritual and creative energies. Destiny, therefore, symbolises the act of transitioning through life, and to finally returning to one’s origins, and it points to issues of great interest in a number of important areas of human creativity such as philosophy, theology, physics, psychology, and, of course, poetry.

Because of its ontologically complex nature, destiny necessarily encompasses multiple possibilities and, as Constantine Cavafy and T.S. Eliot remind us, living every moment of our life intensely is actually more rewarding than arriving at our final destination:

Keep Ithaka always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained on the way.

(Constantine Cavafy)

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall

(T.S. Eliot)

The poems featured in this issue of Teesta give language to the stories of our beginnings, our passages, our ambitions, and our enduring struggles, and suggest that our destiny is to live without closure, without a final reward of our purpose, and that part of finding one’s destiny means understanding, letting go, and finding redemption from the past. This journey of self-discovery is our destiny: it may be a chosen one, or it may be thrust upon us, but in either case, it gives us our identity, and defines us both as individuals and as a community.

Readers, and readers of poetry in particular, are seekers: going in search of our personal and collective destiny is a humbling task, and this issue of Teesta interrogates this enigmatic ride “through the unknown, unremembered gate” via the voice of poets coming from different walks of life. Their works account for the often-unintelligible dilemmas of the human experience, and are aspects of a higher system of necessity: they exude concreteness and vividness, but are also filled with ambiguity, paradox, contradictions, doubts, and impossibilities. The rhapsodic imagination reminds us that destiny retains a mysterious element: in the light of this, I hope that this issue of Teesta will challenge ideas, shake certainties, raise questions, and leave the readers with the desire to return to these poems again and again.


(Guest Editor)
Teesta Review: A Journal of Poetry