Stephen Symons' Poems


Teesta Review: A Journal of Poetry, Volume 2, Number 2. November 2019. ISSN: 2581-7094


Under the door of the present
The wind’s gossip
slips under the door,
drawing in silence,
exhaling a rush of breath.

At the corner of a window,
a mountain folds to haze, hills rise,
petrified swells lines of soil,
scree and rippled light
imprinted  against
a sunned imagination of clouds.

Below the window
the coming and going
of people, and sometimes love,
are like the lives
of library books — often overdue
or just out of arm’s reach.

He watches the streak
of a buzzard, wings half-tucked,
as it is catapulted into the brightness
of a roof, but there is no thud
of body meeting slate,
just a surge upwards,
a parenthesis of feathers
defying earth,
gone before he can name it.

This is the way
we claim the world,
by naming things,
cutting keys for doors
with no locks,

We carry on,
balancing choice,
loving in vain and drizzling happiness
over ourselves
in the form of children’s voices,
knowing there are no answers
to the big questions,
that are fixed
like granite boulders,
pressed into shadow and valleys.

Outside, the wind is lifting
the present away —
inventing new languages,
a passing shadow play
which leaves the curtains of his room
tangled in the burglar bars
that he removed years ago.


Pretoria


Your pride has softened
to a whisper
it lives quietly
even respectfully
a rustle of propellant
in the shell casings
of old soldier’s dreams

The past —
a whisper
trapped behind glass
part bone and part powdered blood
sentenced to museums
the colour of sad cupboards

The ranks of jacarandas
wait for their October orders
issued in whispers of orange, white and blue
that always bud to purple

Traffic and people
press against history
like the ocean against land
never quite reaching
the houses of the rich
on the shoreline

There was once a storm surge
children cheered
as the city’s citizens
lost their moorings
and their cries
turned to sea foam
far from any coast    

Most have forgotten
that the petrified rivers
of concrete between the city’s
sandstone and brick
all flow from the same source
salted by the same sweat
and smoothed by the same fingers

This morning
the wind rests on
the bars of a song of stillness
only birds and air conditioners
have escaped
praising a sun
that turns the skyline to dust

Smudged scratch-lines
rise from the city
tolerance is bleeding away again
a seasonal shift
to whispers of black smoke
that are seeking out
the first jacaranda blossoms.