Poem 1 (9.1)

 

Teesta Review: A Journal of Poetry, Volume 9, Number 1. May 2026. ISSN: 2581-7094

Paper-Cut

---- Namrata Pathak

Bleeding over a page from Han Kang’s Vegetarian,

I turned anaemic, phosphorous, pale-coral with perforations,

white air — the paper-sponge sucks all my blood in.

Though books profess to shun ways of violence and stick

to peace, words kill without guns. Now that there is a trail

of memories over the gooseberry words, no longer appetising,

perhaps a way tangy for my taste, I want to forget that your name

was a bruise. The more I read, the more anaemic I become.

I am hungry. The taste of dried pork with akhuni lingers

underside my tongue. It drowns the pungency of the wind

in the garden, the nostrils trailing the bunch of aromatic fern heads,

leaves threading through my porch grill, looking for a familiar

smell called home.

I am hungry. Mawrei should have brought meat from the local market,

not a book on slow love, riots, blood.

I cut my finger again.

 

 

Bamboos are Unfinished Love Poems

---- Namrata Pathak

Turn to jagged rocks and bamboo flowers: They are good listeners.

The red-brown-orange leaves in Likai, falling in hoards in autumn evenings

are at war with me. They shape-sift.

In a madness for remedy, for some sleep, I shut my skin to night’s floating candles,

the fingers of air tap on my brown skin, the translucent needles stich leaves, trellis,

bodies: Above, the holes in the sky are mended with aplomb. No light.

No light turns inward to catch earthworms

in mossy bones,

and black tongues.

But the sky is everyone’s country: It is an escapade into a world that mirrors no world.

The pathways turn back to every point of origin, only the journey remains.

 

 

A Poem

---- Namrata Pathak

Ink stains smudge the margins of my blank page. They are snails

shut to the coldness of your touch, flames on tongues travelling

to unkempt places: beyond the tyranny of skin-on-skin,

this love is not known to the world.

Dying between water and land, hope and loss, it finds its way

into the grief of a traveller. This poem is more water than land,

each drop an act of faithlessness: it awaits the homecoming

of a betrayer.


 



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Bio:

Dr Namrata Pathak is an Associate Professor in the Department of English, North-Eastern Hill University, Meghalaya. She has an MPhil and PhD from English and Foreign Languages University (formerly, CIEFL), Hyderabad. She has six books to her credit, and her latest books are- Indira Goswami: Margins and Beyond (Routledge, 2022), A Reader on Arun Sarma (Sahitya Akademi, 2024), and Queer Intersectionality: Voices, Struggles, and Identities (Routledge, 2026). Her debut collection of poems, That’s How Mirai Eats a Pomegranate, was published in 2018 by Red River. Pathak has been a recipient of FCT Library Fellowship, Baroda and UGC-Associateship by IIAS, Shimla. She is the Charles Wallace Fellow (India) at SOAS-University of London for the year 2022-23. Her writings have been published in Scroll.in, Outlook, Raiot, CafĂ© Dissensus, Bengaluru Review, USAWA, Muse India, The Wagon Magazine, Vayavya, The North East Review etc. She is featured in Riverside Stories: Writings from Assam (2024), the anthology from Assam published by Zubaan; Mukoli magazine (2023) housed in the School of Conflict Management Peacebuilding and Development in Kennesaw State University; Muse India (2024) special issue on Literature from the Northeast; the Sangam House Monsoon Issue: A Special on Poetry from North East, July, 2019 curated by Nitoo Das. Her short story, “The Song” is featured in The Greatest Stories from the Northeast Ever Told (2025) published by Aleph.

 

 

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